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Sand and Books 27 - December -2008 Esch, Hansjoachim Von Der, 1941. Weenak - die Karawane ruft. Auf verschollenen Pfaden durch Ägyptens Wüsten. Brockhaus, Leipzig, 304. Hansjoachim Von Der Esch was the Almásy's faithful companion during the 1934 and 1935 expeditions organized to the Libyan (Western) Desert. Since Von Der Esch helped in editing in German the memories of the famed Hungarian explorer, he choosed to not replicate the same stuff in his own travel narrative. Although it was quite difficult to avoid any possible overlap, he succeed in telling many interesting episodes and details, which make his book a real fascinating complement to the László Almásy (1939) – Unbekannte Sahara; Mit Flugzeug und Auto in der Libyschen Wüste. For instance, in 1934 Almásy, as the expedition leader, subdivided his party into two groups to maximize results by exploring at the same time the Karkur Talh (in the Gilf Kebit) and the Jebel Biban (north of the Jebel Uweinat). Von der Esch took the responsibility for the second group: with Captain Parola, the commander of the Ain Doua Italian border post (now in Libyan territory), an anonymous Italian Tenente (lieutenant) and an Italian Journalist, he explored the Jebel Biban, which was thaught by Captain Oreste Marchesi as a possible location for Zerzura. Given the circumstances, the narrative of this minor exploration is found only in the Von der Esch book. Incidentally, Esch describe also the British garrison located at Karkur Murr (today in Sudanese territory). Unfortunately, this book was never translated in English or French: as a consequence it is basically unknown to the majority of the modern Almásy fan boys. Luckily it was printed in many copies and it can be easily purchased from the German out-of-print dealers. I got my original copy for few euros. I took the pain to translate some paragraphs with Google-translate: it was worth the effort of retyping its pages originally printed in old-styled Gothic fonts! I think it is a book every desert lover should try to get in the original edition before it start to became too much expensive. Here following a Google-translated excerpt (from page 170). Esch describes his arrival at the Italian garrison of Ain Doua (Jebel Uweinat):
"When I returned one week ago from my first investigation travel to the Arkenu dune, I had missed the entrance to the ravine, and this mistake would have had almost terrible consequences. The Eritrean guards of the lookout post, which saw me driving past in approximately a kilometre distance, had not known anything better to do to alarm than short hand by a few shots the camp. The Capitano had risen straight from its afternoon Siesta and had not awaked yet be-handing, in order to remember mine and to bring the alarm shots with my investigation travel into causal connection. Thus it had let its colonial soldiers between rock go in the acceptance that the bad enemy was in advance, into position. When I had shortly thereafter noticed that I had too far driven, and turned, was I few surprised to find at the entrance of the ravine the camp crew in grimmer combat-ready shank. Parola had at that time asked me in understandable confusion to be in the future more careful since with its Eritrean soldiers the ball sat quite loosely in the run. Since then I maintained during the approximation to the Italian camp mean course with special care to always compute, in order not to kindle the combat courage of the Eritrean snipers on the new. The Askaris originated by the way throughout from the western Erythräa, the only part Abessiniens, which was Italian at that time." 18 - July - 2008 Umberto Sansoni, 1994. Le più antiche pitture del Sahara. Milano, Jaca Book. 326. This reference book about the classical Round Head paintings of the Tassili, at the heart of the Sahara, is unfortunately out of print but it can be ordered directly from the Editor which offers a print on demand service through its web site. The Tassili region was, in the Sansoni's words, a sort of melting pot for the ancient peoples that inhabited the once green Sahara of the Holocene humid phase. A must to have for the rock art student. 19 - June - 2008 Tim Ingold . 1980. Hunters, pastoralists and ranchers. Cambridge Studies in Social Anthropology. Cambridge University Press. 326. As a lover of the Saharan rock art I realized that I had to read a lot not only about rock art but also about anthropology. This book is a classic everybody should read. The analysis of the transition from hunting to pastoralism among the Artic peoples exploiting reindeer herds is extremely interesting and has many implications for the study of the Neolithic African pastoralists too. The highlighted difference between the carnivore pastoralism of the Euro-Asian Artic peoples and the milking pastoralism of the African tradition is tremendously important and rich of suggestions, very useful for anyone is trying to image what kind of society could have been the ones that expresses themselves by the wonderful paintings of the so called Pastoral Phase in the Saharan rock art corpus. A very intersting text. Reprinted and Available. |

